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skip to content scroll down to content posts posted on june 20, 2018 25 years ago this month, ‘it’s a wonderful life’ left the public domain a quarter of a century ago, “it’s a wonderful life” was ubiquitous on tv and in video stores, the most beloved public-domain film of them all. that all ended in june 1993, when republic pictures’ sent out dozens of cease-and-desist letters to video distributions, tv syndicators and individual stations that had exploited the film’s public-domain status for royalty-free showings (often with terrible copies) after its copyright status expired in 1974. apparently it wasn’t renewed, as then required, because of a paperwork snafu. republic successfully asserted ownership based on underlying active copyrights on the film’s original story (philip van doren stern) and its score (dmitri tiomkin). the film had originally appeared on tv in the spring of 1954 via m & a alexander, a tv syndicator that purchased it from paramount, which had acquired “it’s a wonderful life” along with liberty pictures’ other assets. alexander was merged into nta, which became republic and itself was folded into original owner paramount. the studio had licensed annual exclusive showings on nbc since 1996, as well as issuing it exclusively on dvd and blu-ray. here’s a piece i published on june 15, 1993 in the record of hackensack, new jersey: you’ve heard of the grinch that stole christmas. now republic pictures, which let “it’s a wonderful life” lapse into the public domain by failing to renew its copyright 18 years ago, wants to take it back. if the studio’s lawyers prevail, frank capra’s movie will no longer receive marathon showings on a dozen channels at christmastime, and it may no longer be possible to buy video versions on more than three dozen different labels for as little as $3.99. republic announced monday that it was seeking to corner the “it’s a wonderful life” market on the basis of the rights to dimitri tiomkin’s musical score, which it just acquired, as well its ownership of screen rights to the short story on which the 1947 movie is based. russell goldsmith, the company’s chief executive officer, said the move would allow republic “to preserve and protect the integrity” of the film, which has been seen in unauthorized copies of widely varying quality. james p. tierney, a los angeles attorney representing the company, said he had sent out more than 500 letters on friday to video distributors, video stores, tape duplicators, tv stations, and networks. the letter threatened suits if they don’t stop copying, selling, renting, or showing versions licensed by republic, as well as seeking damages for past infringements. tierney said he had received 15 phone calls on monday and “everyone uniformly agreed to respect republic’s rights.” he said company officials had not acted earlier to protect the film because “they were not clear” on points of the copyright law. “republic has been selling videos from their original negatives and licensing them to television for years,” he said. “a lot of these pirates were making copies from second- and third-generation prints, and selling people defective copies.” if republic files suit against other vendors of “it’s a wonderful life,” the case will mirror one brought recently by john wayne’s son, patrick. the younger wayne, who failed to renew the copyright on his father’s 1961 movie “mcclintock,” which the family owned, is suing goodtimes, a video company which brought out a public-domain version of the film simultaneously with a wayne-authorized version on mpi video. wayne, too, contends that he controls the movie through music copyrights. the original 28-year copyright for “it’s a wonderful life” expired in 1975, but republic failed to file for a 28-year renewal, as the copyright law then allowed. like hundreds of other movies with lapsed copyrights — the original “a star is born” (1937) and “royal wedding” (1950), with fred astaire, are two examples — “it’s a wonderful life” entered the public domain. this meant, essentially, that anyone who could get hold of a copy could show, rent, sell, or copy the movie without paying a cent to republic, which retained ownership of the original negative. the movie’s new status did not go unnoticed by pbs stations, some of which were showing it six or seven times a season by the early 1980s. it also became highly cost-effective programming for the burgeoning cable-television and home-video industries. public-domain titles are not generally tracked by the industry, but home-video experts believe that in all of its various versions — including at least two colorized ones — “it’s a wonderful life” may well be the single best-selling video title of all time. posted on april 24, 2018 from 1994: leonard maltin, jersey boy. in honor of “leonard maltin day” in los angeles, here’s an interview i did with him in 1994 for the bergen record, part of a series called “jersey people” that in wrote in the final months before i went back to work for the new york post. this was at least the fourth interview i did with leonard. the first was conducted in 1980, when he was still living in manhattan, before moving to los angeles. leonard maltin was a so-so student. “i was the only student in the history of teaneck high school to fail a take-home, open-book exam,” he says with a mixture of pride and embarrassment. he also wasn’t much of an athlete. “i went to the westmont swim club’s day camp one summer, and i was the only one who was always rooting for a rainy day,” he remembered recently over brunch at his parents’ home in teaneck. why a rainy day? anybody who’s seen maltin on “entertainment tonight” or read any of his two dozen books can probably guess the answer. “because then,” he said with a familiar smile, “they showed movies.” and movies are what made leonard maltin a star. the revenge of this self-described movie nerd has spread to virtually all media. maltin can be read, seen, or heard on radio, videocassettes, on-line services, and cd-rom. last month, the 25th-anniversary edition of his landmark movie guide was published, complete with new versions for floppy disc and the apple newton. “leonard maltin’s movie encylopedia” hits bookstores this month, and he has a special on canadian animation airing oct. 27 on the a&e cable network. “my son has been very, very lucky,” said maltin’s father aaron, a retired immigration judge. “he has spent his entire life doing exactly what he wanted to do.” maltin’s mother jacqueline, a former nightclub singer, remembered with a chuckle that back in the 1950s, she tried to pry her pre-adolescent son (he’s now 43) away from tv, where he had developed an early infatuation with laurel and hardy, the three stooges, and disney cartoons. “why do you want to stay indoors on such a beautiful day?” she remembered asking him over and over, to little avail. “i wasted a fortune on tennis lessons for him.” young leonard dabbled in journalism as early as the fifth grade at the eugene field elementary school, publishing a three-page newspaper called the bergen bulletin on a mimeograph machine. early issues contained cartoons and jokes — but leonard being leonard, it quickly evolved into a newsletter about movies. by the time he was 13, maltin was conducting interviews by mail with celebrities such as buster keaton and writing articles for film fan monthly, an amateur “fanzine” published in vancouver. he wasn’t paid. two years later, he “bought” the magazine for $175. “the owner had $400 in the treasury, so he sent me a check for $225, a bunch of back issues, and the list of 400 subscribers,” he recalled. maltin published film fan monthly out of his parents’ house virtually single-handedly from 1966 to 1974. “that was the end of my ability to do anything in school,” said maltin, who somehow graduated from new york university with a journalism degree, handing in freelance assignments as class papers. he then taught — film, what else — for nine yea

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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: LUMENICK.COM
Registry Domain ID: 821588123_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.enom.com
Registrar URL: http://www.enom.com
Updated Date: 2018-01-19T09:30:04Z
Creation Date: 2007-02-17T17:19:12Z
Registry Expiry Date: 2019-02-17T17:19:12Z
Registrar: eNom, Inc.
Registrar IANA ID: 48
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: DNS1.NAME-SERVICES.COM
Name Server: DNS2.NAME-SERVICES.COM
Name Server: DNS3.NAME-SERVICES.COM
Name Server: DNS4.NAME-SERVICES.COM
Name Server: DNS5.NAME-SERVICES.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-10-28T22:32:53Z <<<

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  REGISTRAR eNom, Inc.

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =lumenick.com

  PORT 43

  TYPE domain

DOMAIN

  NAME lumenick.com

  CHANGED 2018-01-19

  CREATED 2007-02-17

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  DNS1.NAME-SERVICES.COM 98.124.243.1

  DNS2.NAME-SERVICES.COM 64.98.151.1

  DNS3.NAME-SERVICES.COM 98.124.243.2

  DNS4.NAME-SERVICES.COM 64.98.151.2

  DNS5.NAME-SERVICES.COM 98.124.243.3

  REGISTERED yes

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